Morgan & Me
As she has since 2002, Cathie Valdovino of Manoa serves as Morgan Freeman’s personal costumer for the new film, in which he plays Nelson Mandela . “This is the best job I ever had in my life,” says Valdovino, 57, who is of Filipino-Scot-Dutch-Cherokee ancestry.
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Valdovino and Freeman initially met through mutual friends. Then, when Freeman was in Hawaii to film The Big Bounce in 2002, he needed a new costumer, and Valdovino applied for the job.
She got the job, and the two have been working together ever since.
“I called (Valdovino) and asked what she was doing and said how would you like to work for me?” recalls Freeman. “As my costume supervisor, she takes care of my costumes on set. She’s very into what she does, likes clothes and even designs some of the costumes herself. We’ve become great friends.”
For this exclusive interview with MidWeek, Freeman called at about 2:30 a.m. CST from Memphis, where he co-owns the nightclub Ground Zero Blues Club. “I’m a night person,” he explains the late-night interview.
For Invictus, Freeman serves as one of the lead actors (along with Matt Damon) and co-producer. It also is his first film following a 2008 car accident in Mississippi where rescuers reportedly used a jaws-of-life machine to free him and a passenger from the car.
“I’m doing pretty good now,” says Freeman. “My bones and things have healed, but I suffered some nerve damage in my left arm and my left hand is paralyzed.”
Despite the injuries, Freeman, 72, is not planning to slow down anytime soon - whether it’s in front of the camera or behind.
“I’ve been trying to get into movies just about all my life, so just the fact that you made it (is what I’m most proud of),” says Freeman. “My goal is to continue to produce movies, primarily movies that impart unknown information like
how Glory (about an African-American Civil War unit) did. It’s my favorite movie because it’s just historically accurate and nobody really knew about it.
“I want to do movies that entertain and teach a bit of history. And I always want one thing when I do a job, and that’s that people come and see it and don’t ask for their money back.”
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When he’s not working, Freeman, who is not a fan of cold weather, is most likely sailing in the Caribbean.
“I’m a sailor and Hawaii does not have good sailing water,” answers Freeman on when his next trip to Hawaii would be. “But my friend Clint Eastwood (Invictus director) has a home on Maui and I’m envious.
“I just thought about it and (a trip to Hawaii) is not a bad idea. But I have no idea when that will be.”
Valdovino was born in Stockton, Calif., and raised in Sacramento before moving to San Francisco, New York and then finally to Hawaii in 1980.
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At the time, Valdovino was working as an off-Broadway costumer in New York. A show she was with was scheduled to go to France, but then got canceled at the last minute. Unsure of what to do next, her father suggested she move to Hawaii to take care of an aunt whose husband had just passed away.
When she arrived, Valdovino struggled to get a job in the fashion industry and instead found work doing promotions for radio station KGU and later in sales for MidWeek.
Then she joined the Hawaii Local 665 (the International Alliance of Theatrical Stage Employees) and eventually started working in the costume department for Hawaii Opera Theatre and then for Baywatch Hawaii.
Valdovino, the mother of four children - Auriel, Aiala, Samantha and Ken - now lives in Manoa with partner Terence Yorga.
When she’s not on the road with Freeman, Valdovino works with various local productions, such as Lost. This year, she also worked with visiting shows Saltimbanco and Mamma Mia!
“My dream is to win an Oscar,” says Valdovino, who also works as a costume designer for Freeman’s company Revelations Entertainment.
In Invictus, Freeman has the most costumes and the most scenes. On set, Valdovino’s responsibilities include prepping his trailer and getting all the clothes ready for him when he arrives.
“And my job is continuity,” she adds. “I have to take photos of all the scenes because we don’t shoot in order of the movie, we shoot by sets, so I have to make sure that the clothes are exactly the same from scene to scene. I have to make sure it’s the same outfit and I’m responsible for putting it on him.
“(Working for Freeman) is the best job ever. As a designer you’re usually alone, but with Morgan it’s a team. From the moment we arrive, it’s a team.”
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